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"Illuminating the Word" Experiencing The St. John's Bible

I love going to art museums—being surrounded by and immersed in visual beauty is a luxurious pastime that often feels like a selfish indulgence of the senses. Sadly I seldom extract myself from daily responsibilities to indulge my soul and spirit in such a feast.

 

Today was a rare and treasured exception. I took a personal retreat and sojourned across Mobile Bay. Our local art museum (Mobile Museum of Art) just opened the St. John’s Bible exhibit, which is the first illuminated Bible commissioned since the advent of the printing press—a contemporary masterpiece of medieval craftsmanship and calligraphy by world-renowned British calligrapher Donald Jackson and his team of scribes and artists.

 

As I crossed the threshold into the softly lit hall, I felt as if I were entering the holy of Holies. My mind and soul hushed as I approached the first of 50 two-page hand-illuminated scrolls from both the Old and New Testaments created with gold leaf on oversized (2 x 3 ft.) vellum.

 

As part of my one-day retreat, I had just spent two hours in the morning savoring, studying and silently reflecting on Paul’s letter to the Philippians (chapter 4), so when I set my eyes upon the “Illuminating the Word” display, I stood in awe, speechless before the scriptures. It was one of the most sacred times of worship I have ever experienced.   

 

Featured are selections from the first three completed volumes of The Saint John's Bible: Pentateuch (the first five books of Jewish and Christian scripture), Gospels and Acts and Psalms. Highlights include folios of The Seven Days of Creation, Genesis, The Garden of Eden, The Ten Commandments, The Birth of Christ, The Crucifixion and the frontispieces for the four Gospels. Experiencing the hand-written word of God in juxtaposition with these stunning and vibrant illustrations, I could feel the breath of God (ruwach) stirring and calling the two creative expressions to life.

 

The exhibit includes a BBC video, which chronicles the mission statement of the Bible's commissioning and Jackson's  lifetime dream of creating an illuminated Bible and its seven-year labor of love. "At the dawn of the 21st century, Saint John's Abbey and University seek to ignite the spiritual imagination of believers throughout the world by commissioning a work of art that illuminates the Word of God for a new millennium."  

 

I lingered on the thought that God’s handprint was stenciled on the day’s sojourn. Only last week I had enjoyed extensive conversations in Nashville with worship colleagues to explore ways we might develop to promote and support Christian visual artists—photographers, painters, sculptors and filmmakers. 

 

It’s been thrilling to see the restoration of the visual arts in expressions of worship over the past decade. I’ve been able to help many churches with obtaining permissions for visual images, but it’s quite difficult tracking down the copyright owners and there’s a deep need for easier licensing and royalty revenue that would help support Christian visual artists.

 

Since experiencing the sacred power of “Illuminating the Word,” my passion and dedication is renewed to develop new licensing solutions that will honor and encourage Christian visual artists.

 

"Illuminating the Word: The Saint John's Bible" is organized and circulated by the Minneapolis Institute of Arts and Saint John's University, Collegeville, Minnesota. The exhibition and its national tour made possible by Target. I am a faithful Target shopper (abhor Wal-Mart), and they have just won my eternal admiration for their support of the arts.

 

 

Copyright Royalty Board Surprise Ruling Freezes Mechanical Rate

WASHINGTON – October 2, 2008 - The U.S. Copyright Royalty Board (CRB) announced today that mechanical royalty rates for physical products (such as CDs) and permanent downloads (such as iTunes) will not go up but remain at the current 9.1 cents.  Each will be subject to an overtime rate for recordings over 5:00 minutes.

The ruling is great news for churches and Christian ministries that might have faced paying 5 to 6 cents more per song per recording unit if the CRB had decided to increase the rate. At one time, publisher and songwriter groups were advocating that the CRB raise the rate to 15 cents, which represented a 66% increase. The mechanical royalty rate is calculated to determine fees that are due for reproducing songs on CD recordings, audio digital downloads and burning rehearsal CDs.

The decision was apparently largely influenced by Apple's recent claim that it would shut iTunes down if the rate increase occurred, according to attorney Brock Shinen. This is long-anticipated, major news for all parties involved in the business of making music, because the rate has been in an ambiguous state for about two years. Reports of the decision abound online.

The CRB judges also established for the first time a rate of 24 cents for each ringtone subject to the Section 115 mechanical license. Furthermore, music publishers will have the right to seek a 1.5 percent late fee, calculated monthly.

David Israelite, President and CEO of the National Music Publishers’ Association, which represented songwriters and music publishers before the Board, hailed the decision as a positive development for all songwriters and music publishers.

“We are happy that the judges recognize the importance of songwriters and music publishers to the music industry,” said Israelite. “Coupled with the historic agreement announced two weeks ago, this decision represents an important milestone for the music industry. These events will bring clarity and order to an environment that for the past decade has been hampered by litigation and uncertainty on all sides.  In the end, songwriters and music publishers will have incentive to create and market music, and music fans will reap the rewards.”

The announcement is the culmination of a trial that began in January, and marks the first time the CRB has established mechanical royalty rates for songs distributed digitally.

The Board also adopted the terms of an historic industry settlement on rates for two other types of services – interactive streaming (such as some Napster services) and limited downloads (such as Rhapsody To Go). Details of that agreement between NMPA, the Nashville Songwriters Association International (NSAI), the Songwriters Guild of America (SGA), the Recording Industry Association of America (RIAA) and the Digital Media Association (DIMA) were announced last week.

The music publishers and songwriters were represented in the trial by the NMPA, along with NSAI and SGA.

"Publishers may cry foul (they wanted more). Songwriters may cry foul (they wanted more). David Israelite, NMPA's CEO claims this as a victory for songwriters (I guess he was scared the CRJs might eliminate mechanical royalties or something)," explains Mr. Shinen. "Apple is (for now) content, but the most direct benefit of this ruling is for the consuming public...it will help keep music costs down.

"As music lovers, you may want to remember next time you go to iTunes to buy music, to be thankful the price didn't just go up," Mr. Shinen comments.

Rick Carnes, President of SGA, said, "The CRB has confirmed the proposal of rates for interactive streaming and limited downloads formulated cooperatively by songwriters, music publishers, the recording industry and the digital media groups, which will clarify the licensing of this growing area of digital commerce and provide needed royalty payments to songwriters. The Songwriters Guild of America is gratified that the CRB has adopted these rates, which will assist music creators in their quest to make a living from their profession.

“Today, the CRB also faithfully implemented U.S. copyright law by giving songwriters the ability to earn a fair return on their works," adds Mr. Carnes. "As so many songwriters testified during this process, our community has been struggling to keep our profession alive, and the CRB's decision could not have come at a more important time.”

“Today’s announcement is the culmination of months and months of tireless work by staff and outside counsel on behalf of music publishers and songwriters, and I want to acknowledge and thank them for their commitment,” Mr. Israelite said.



 

CCS Unveils Enhanced & Expanded Website Oct. 4

 

Christian Copyright Solutions (formerly Church Copyright Administration) celebrates its 7th anniversary by launching the newly expanded and enhanced website Saturday, October 4, at www.copyrightsolver.com. You will receive FREE downloads from the Education Center when you visit the site on October 4.

 

CCS’s innovative online Education Center will feature multimedia download education materials, like books, white papers, articles, videos and webinars. “Education is an essential part of our mission in helping Christian organizations become fully copyright compliant,” explains CVO/Founder Susan Fontaine Godwin. “We are excited to provide greater and easier access to educational information from professional copyright experts.”

 

The new site also features special sections tailored for the needs of our audiences:

  • Churches & non-profit ministries
  • Summer camps & conference centers
  • Indie Artists & songwriters
  • Media directors & webmasters
  • Producers & recording Studios
  • Youth ministries & mission groups

 

CCS will also unveil PermissionsPlus—the newly enhanced copyright clearance administration service. It takes the pain out of copyright compliance with 24/7 online service plans providing automated, streamlined electronic licensing & royalty payments.

 

Come visit www.copyrightsolver.com on October 4 for a FREE download.

 

Christian Copyright Solutions

Expanding beyond the church walls...

New site, new services, new solutions

Coming October 4, 2008

 

 


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